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  Wake Up and Write Writer's Retreat Workshop

dialogue with doc

Safe travels...

4/24/2018

 
I'm a day late with this post. The past few days my dad and I spent hanging out with my nephew Quinn (Dad's grandson) before he deploys to the Middle East. His twin brother, Lane, started Ranger school on Sunday. I wanted to share (with his permission) the letter I wrote to him this morning, before he left.
24 April 2018
 
Dear Quinn,

I’m glad we had a chance to spend some time together before you deploy. While I will be concerned for your safety, I’m also excited for you, because I know you are excited to have this opportunity. During our conversations there was one thing you mentioned that I thought was important to both acknowledge and also address.

You mentioned in passing that there are some things you only discuss with others in the military, because they are the only ones who really understand it. That’s true. Each world of work has its own lingo, its own culture, its own rules and experience, and no one who isn’t in it truly knows what it means. Anna can never fully convey to you what it is to design a dress and see a model take it down a runway, Your mother can never fully convey what it is like to face the empty page and bring characters and a story to life on it. Your dad, Hattie, even Lane, who will have and already has had different experiences of becoming an officer than you have – all of them, all of us who were there last night, on Sunday, each have our own worlds in addition to the one we share and interact in with family.

At the same time, each person in your military world, even the people you work with every day, has a different experience of that world than you do. Even when we are most connected we are also most separate. That’s the human condition. We all feel a range of emotions, have a range of experiences, yet no other individual will experience them in exactly the same way you do. So things like a good musical, a good book, a good movie will tap into a universal experience of love or grief in a very specific way, like Rick in
Casablanca, and though we are not Rick and experience love and grief in our own ways, we understand his and feel for him.

Whatever experiences you have, we can’t ever know exactly what that will be like for you. What we can know is what it is to feel completely alone and isolated, and that no one in the world can really understand what we are going through. That we all know at one time or another. As close as you and Lane are as twins, he can never fully share your years at West Point, you can never fully share the Ranger training he is going through right now. What you do share is the experience of being tested and pushed to the limits, and the comradeship you have with those who are with you in it.

Dainin Katagiri-roshi, a Buddhist teacher who taught several of my teachers, wrote that when you go deeply into practice, or any experience, you feel more connected to people and the world. At the same time, the deeper you go, the more alone you are. I suspect your faith will help to carry you through your life, and I also acknowledge that for some people, their faith is not able to sustain them. I don’t know why it is different for different people, but it is. What I do know is that if you are aware of the universality of the sense that no one can understand exactly what I’ve experienced, that awareness is already connection. At the times of greatest distress and despair in my own life, that awareness has kept me going, sometimes one day at a time, but always still going.

Safe travels and lots of love,

Carol

Everyone should have a Nushka in their life...

4/16/2018

 
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Gail Provost Stockwell, aka Nushka Resnikoff
Nushka spoke to me through the pictures and words of the very first ad I saw for Writers Retreat Workshop. There was a silhouette of an old Victorian house and an invitation to join a small group of writers to work on my novel. When I spoke with her on the phone for the first time, I knew I'd found my home as a writer. Later, I realized I'd found a friend.

It took me years to be able to call her Nushka, rather than Gail. Yet from that first workshop, Nushka believed in me as a writer, encouraged me, listened to me, and yes, she taught me. She didn't formally teach a class, but she teaches with her presence and her life, as well as her words. Her whole being radiates love and generosity, and I feel lucky that our paths crossed all those years ago.

This was originally going to be a Facebook post letting folks know that Nushka is going to be at the May workshop. And she is. However, she is so much more important to me than a marketing tool, and I wanted to share a little bit about why.

I remember standing in a steady drizzle out in the backyard of her house in May 1995, hours after Gary's funeral. In the midst of her grief and anguish, she was trying to decide if the workshop should go on in less than a month, to give Gary's students a chance to come together. Some folks had weighed in and wanted to go, some didn't, leaving Nushka torn and dazed with confusion. Her only concern was what would be best for the students and for Gary and his memory.  She had to be reminded to think about what she needed.

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Gail and Gary aka Nushka and Garonovitch, founders of Writers Retreat Workshop
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Nushka
It was Nushka who gave me the opportunity to teach the workshop for the first time in 1998, who trusted me with Gary's material, and the curriculum he developed with so much love and sweat.

It was Nushka who kept in touch with me all those years I disappeared into the monastery, who never forgot my birthday, who sent me notes and messages.

And it was Nushka who encouraged Jason to offer me a scholarship to come back as a student to the workshop, which eventually led to me becoming director.

There have been many gifts in my life, and one of them goes by the name of Nushka. Now she will come to the workshop with a project of her own, and it will be my chance to nourish her work. All I have to do is follow her example.

Thank you Nushka,

Love,

Doc

Wash and fold: a lifetime of laundry...

4/9/2018

 
Did you ever think of your life in terms of laundry? Today it is Monday as I write this, and today is laundry day for me. Monday is a traditional laundry day for many families, maybe so everyone could start the week with clean clothes?

Monday became my laundry day when I came back to Pittsburgh to be with my dad. Saturday is his laundry day, and since I don't have a Monday-Friday job, I didn't really want to do my laundry on Sunday, as I used to do. So Monday became the day, somewhat by default.

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When I was a kid, Mom always did the laundry. I wasn't allowed to touch the washer or dryer, but when I was in fourth grade I had my introduction to ironing. Yes, I was born in the 50's so we grew up with ironing as part of daily life. 

What did I learn on? Pillowcases. Pillowcases, and my dad's handkerchiefs. They were flat, small, and relatively easy for a fourth-grader to navigate. Over the years I learned to iron sheets (yep, we did those too!), blouses, jeans, and skirts. Eventually, as I learned how to operate the washer and dryer, the ironing became less and less frequent.

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It was college that provided the impetus for me to learn the mysteries of sorting laundry before washing. Things weren't always colorfast in those days, so putting your whites in with your jeans was a quick trip to disaster.

I quickly learned the best way to get my laundry done was to reward myself for doing it - a can of Pepsi and a pack of peanut butter and cheese crackers usually did the trick.

I have to return to ironing for a moment, because I forgot to mention that ironing provided my introduction to the world of soap operas, in the form of The Guiding Light. I didn't really start to follow it until I was in college, and worked with one of the actresses in summer theatre. I also watched All My Children while I watched and fed a young toddler whose mom was having her consciousness raised (it was the mid to late 70's). But I digress...

At this point I'll fast forward through years of conventional laundry, occasional flirtations with laundromats and even when pressed for time, drop-off laundry to what it was like to do laundry at Tassajara.

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I've written of Tassajara Zen Mountain Center before, the Buddhist monastery where I lived for three or four years over time. We were off the grid there, and though there was limited electricity, laundry was done by hand.
Yep, we washed our clothes in laundry tubs, used buckets to soak and pre-wash and move them around, dried them as best we could with a genuine wringer (also known as a mangle, which eventually had a special meaning), and then hung them on the line to dry in the sun (and dust).

I gained a healthy respect for our forbears, who did their laundry without electricity or washing machines for a heck of a lot of years. It is hard work!

On the other hand, there is something rather magical about standing over the sink in the early morning mist, listening to the creek bubble over the rocks, and the stellar jays give their raucous calls as you try to wash the dust of Tassajara out of your clothes.

Yes, whites turn gray, and everything dries hard as a board in the fresh air, but it does smell sweet from the fresh air, and it dries incredibly fast in the 105 degree heat in summer.  

I wouldn't want to do it forever, yet it was an unforgettable experience.

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Now I find myself back in Pittsburgh, back in the house in which my family has lived since 1967, doing laundry in a place that has a wealth of memories and stairs.

Now I fold the towels in the TV room where all five of us used to scrunch in together to watch movies like How to Steal a Million and McClintock.

Our personal histories are rich with things we take for granted. Dig deep, look at the simplest routines, and find out a little more about your world

Love,

Doc

Dreaming the dream on...

4/2/2018

 
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WRW in Bristol, CT - Oct 1991 or 92
Seven weeks from tomorrow I’ll be getting ready to start my first Writers Retreat Workshop as director. I’ve been director of the Wake Up and Write WRW for the past two years, and now that has merged with Writers Retreat Workshop, so I’m the director of both. Some years ago, I taught the WRW curriculum at Marydale Retreat Center in Florence, KY – on the other side of the backstretch of Turfway Park. Gail (Nushka to many of you) was the director at that time, Lorin Oberweger (who I met at my second WRW in Bristol, CT) was the editor-in-residence, and Jason Sitzes (who became director of WRW eventually) was a student in those years.

For me, Writers Retreat Workshop is a bit like a river. The students, the staff, the guests all flow through the years in an ever-changing flood of talent, teaching, and generosity. Yet certain landmarks stand fast in the current: the course developed by the late Gary Provost, the warm and loving spirit of his co-founder Gail Provost Stockwell, the hunger of writers who want to express something through their work and share it with the world.

The emotional currents of that river lie in my memories of Gary’s teaching, his humor, the sense of fun and play that he and Nushka brought to each workshop. They also lie in the nourishing atmosphere in which writers “diagnosed” other writer’s manuscripts instead of “critiquing.” And in the games of pool with Lorin on the top floor at Bristol, played as we discussed our writing and the classes; campfires at Marydale enlivened by stories and songs; and listening to Frank Strunk play his guitar and sing (at Marydale with Alice Orr doing the singing).

In some ways it is a daunting task to take on the responsibility of the director of Writers Retreat Workshop. Can I bring to it my best efforts, and will that be enough? I remember having a dream about Gary right before I taught the classes for the first time. I wanted some sign of approval or confirmation that he thought I could do it. And even in my dream he was generous and gave it to me.

Every single workshop I’ve attended has been different, and each has been wonderful in its own way. I’ve been a student in Bristol, CT, staff/student/teacher at Marydale, student again at Frontenac in Minnesota, staff in San Antonio, TX, director in Haverford, PA, and now in Boise, ID. This workshop in May will be my fifteenth workshop under the Writers Retreat Workshop/Wake Up and Write WRW banner. I’m looking forward to whatever experiences we will share there, and it will be good to be with writers, dreaming our dreams on…
Love,
Doc
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Frank Strunk, playing his guitar at Bristol, CT WRW
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Gary, reading over my pages in the midst of people partying for the umpteenth time

Will you cry out?

3/26/2018

 
Two things happened this weekend that on the face of it are unrelated, yet when I look a little deeper, I can see the connection. One was the March for Our Lives. The other was American Idol auditions.
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American Idol judges (l to r) Lionel Ritchie, Katy Perry, Luke Bryan
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March for Our Lives
One of the interesting things in watching American Idol, is the moment you realize the judges aren't simply looking for the best voice. Some of the people they choose from the auditions are raw, a few even make mistakes. Yet they are chosen over someone who sings perfectly. Why?

There is a quality of authenticity that eclipses simple talent. The ones who have that ability to project something that is purely themselves will move on, otherwise they get a no. Lionel Ritchie told one person he/she needed to go home and find out who they were. It wasn't a matter of performing someone else's material well, it was a matter of performing it as only he or she could.
 
As a writer, how often have you been told you must "find your voice?" And then thought to yourself, well how am I supposed to do that? Natalie Goldberg recommends that writers do writing practice for at least a year or two before trying stories or novels, so they can discover what obsessions they have, and how their mind works, which is in a way that no one else's mind works. Doing timed writings with a prompt, she found that the same subjects keep arising, no matter where she started.
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In the past few days I've read comments from several people who seem to feel the students who initiated the march had no idea what they were doing. Yet those students were not afraid to say - we are the future, we are the solution, you have done nothing - a myriad of voices, each one of them sounding genuine, heartfelt, and very real.
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I suppose, like the fish on the left, you could say many of those students were swimming against the current of the status quo - the morass that adult politicians and lobbyists slog around in, so that even the best of them find it difficult to make any headway.

Since the shooting in Florida, those students have been heard. They have been who they are, spoken from their hearts, and given the best they could give - their determination that change must occur, and they must make a difference.

Pope Francis spoke to them in his homily this weekend on Palm Sunday: "...you have it in you to shout…It is up to you not to keep quiet. Even if others keep quiet, if we older people and leaders -- so often corrupt -- keep quiet, if the whole world keeps quiet and loses its joy, I ask you: Will you cry out?"

Will you cry out? As a writer, as a human being, will you offer that which no other human being can offer the world?

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Pope Francis with the crowd on Palm Sunday 2018

Robin and Mark and Richard III...

3/19/2018

 
Today I witnessed magic. A DVD came in the mail, and I stopped everything to put it in and watch it. It was Robin and Mark and Richard III, and if you’ve not heard of it that’s not so surprising. It’s a Canadian documentary in which the late theatre director Robin Phillips works with Canadian comic actor Mark McKinney on playing William Shakespeare’s Richard III, the title character of the play. It's only sold in Canada as far as I can tell, and it's wonderful.
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Robin Phillips, photo by V Tony Hauser
The first time I saw Robin’s work was in the summer of 1978 at the Stratford Festival of Canada. That was the summer he directed Maggie Smith and Brian Bedford in As You Like It and Noël Coward’s Private Lives, among other things. Those were the two shows that made me determined to go, and the entire week was immersion in some of the greatest theatre I’d ever seen.

PictureMaggie Smith and Brian Bedford in As You Like It, Stratford, 1978


At the time I had no idea what made Robin’s work unlike anyone else’s – all I knew was that during the intermission of As You Like It I had to get out of the theatre and away from people. I felt raw and fragile and had never experienced Shakespeare quite like that before.


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Martha Henry and Alan Scarfe in Love's Labour's Lost, Stratford 1979
The next year Maggie Smith and Brian Bedford weren’t there, but Robin’s production of Love’s Labour’s Lost made an impression that is still as fresh in me as the first time I saw it (I went back and saw it another three or four times that season). Before the play even began, you walked into the theatre and there were actors on the stage, and from their actions, their energy, you knew it was a hot, languorous afternoon and no one wanted to do anything.

When I met Robin a few years later, I told him how powerfully I’d been affected by Love’s Labour’s Lost. It wasn’t the stars, wonderful as they had been, it was how he wove together the individual notes of each actor into a symphony of performance.

The DVD I watched today shows how that magic occurs, or at least, it gives glimpses. The truth is, the magic isn’t just Robin, it’s Robin and Mark and what they each bring to the character of Richard III. And partway through, Christine joins them and brings her own magic to the mix. Martha Burns and Susan Coyne, both of them acted at Stratford when I went there, came up with the idea and completed the film shortly before Robin died.

In both films Robin quotes Shakespeare in The Winter’s Tale – his favorite line of Shakespeare he says: It is required you do awake your faith. That was and is the magic. Robin had a gift for awakening faith – in actors, in an audience, in the world.




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If you want to see for yourself, there is a trailer for the film on the Facebook page (https://www.facebook.com/robinandmarkandrichardthethird/) and there’s another 5-minute film with Robin done by Hubert Davis on the National Film Board website (https://www.nfb.ca/film/move_your_mind/).

Take care,
Doc

Why do I read?

3/12/2018

 

What is it that makes you read a book? What makes you pick up a novel and keep going? Do you look at the first line, or the back cover? Do you flip to the end? Do you start with the first word and work your way through to the end, no matter what, or do you stop if you get bored, or upset, or angry?


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As I’ve mentioned more than a few times on this blog, I tend to re-read books, over and over again. Lately I’ve made a serious effort to read books I haven’t read yet, and to read some newer, more recent books. I still love my old friends, and now I’m getting to know some new friends as well. I’m going to share some thoughts about three books I’ve read recently and what prompted me to read them and stay with them.
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The book I just finished about an hour ago is Free Falling by G.G. Wynter. It’s a romance, and I’ve been reading those since I cut my teeth on Emilie Loring and Georgette Heyer. Romance are different today in some ways. They move at a much faster pace, yet the basic elements of a good romance – great characters to root for, great conflict to keep them apart, and great chemistry. And it doesn’t hurt if there is some humor along with the heat.

I picked this up because I read a post by the author on the Writer Unboxed website. I also met her at the WU UnConference about a year and a half ago and hoped I would like her book as much as I liked her. (I did.) The first line grabbed me from the start: I’ve got five minutes, three blocks, and one chance.


From the first page, I was caught up in the story, caught up in Free’s emotions and the world and the people she loves. By itself, that’s great. When you add a sense of humor that had me laughing out loud at times, and the bass notes of genuine heartbreak and broken dreams, you have a book that I find hard to put down. I have to say also, that there were two plot twists that, while they made perfect sense, I didn’t see coming at all. That made it a really satisfying read for me. It left me wishing I could go hang out in the restaurant and the community with the folks from the book.

The next book is one I read not too long ago, André Aciman’s Call Me By Your Name. This is a different kind of romance, one between two young men, and bittersweet. I’ve not seen the film, though that’s how I heard about the book. It wasn’t the first line that drew me in, it was the voice of the narrator. He is trying to figure out when it started, “it” being the dance between the two of them. He starts by suggesting the moment they met, then something later, then something even later, without ever identifying the moment, because that’s not really the point.

It was eight pages in when I read the passage that made it impossible for me to put it down:
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But it might have started way later than I think without my noticing anything at all. You see someone, but you don’t really see him, he’s in the wings. Or you notice him, but nothing clicks, nothing “catches,” and before you’re even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he’s either already gone or just about to leave, and you’re basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you’re forced to call I want.

That was it. I was hooked, and had a hard time putting it down from that point until I finished it.

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The third book is not as new as the first two. It was/is an Oprah book club choice, and I owned it for two years without reading it. Then a friend recommended it because it had been very meaningful to her, and I had to read it.

The Story of Edgar Sawtelle by David Wroblewski, explores the world seen primarily through the eyes of a young man who is mute. The dogs bred and raised by his family are integral to the story and to his life, and the relationship between humans and dogs is depicted in a way that is unlike anything I’ve read anywhere else.

*spoiler alert*

I had to put this book down frequently and go away. The sense of foreboding and doom was so strong from the very beginning, it was palpable to me, and made it painful to read. At the same time, it was an incredible, beautiful story, and while it was Shakespearean in theme, it wasn’t necessary to be familiar with Shakespeare to appreciate it. I felt tremendously frustrated at the end. It felt like Edgar became a victim, instead of the hero of his story. I won’t say too much about why, because readers should decide that for themselves. It is not a book about which I could pretend indifference. It was a tough read, and yet it was compelling.
The one thing all three books have in common? I cared. Each one of them inspired some kind of connection with the protagonist and the world he or she inhabited. They were as different as they could be from one another, yet it mattered to me what happened in each one of them.

That will have to be the question I ask as I write – will the reader care about my characters and their world? I hope so.

Take care,

Doc

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self-portrait of me reading

I, the jury...

3/5/2018

 
Today I had jury duty. As it turned out, I didn’t get picked, which made me and the others in our group the envy of the folks who did get chosen. That’s one of the things I discovered today – if my informal survey (i.e., everyone I talked with) is even close to accurate, no one wants to serve on a jury.

Every single person I spoke with and those I overheard discussing it were annoyed or resigned to the inconvenience of being called for jury duty. While I understand the feeling, I also found it both fascinating and surprisingly moving to be a part of the judicial process, and I’m willing to bet there were at least a few others who felt the same way.

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The court clerks who handled shepherding all of us (about 150 total) through the day, did it with calm, clarity, and patience. Considering the latecomers, the folks who don’t listen to what’s going on, and those who simply don’t understand, that was pretty remarkable. At midafternoon, the clerk who dismissed about thirty of us thanked us for our service and assured us that our time was not wasted.

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The first time we heard about our service was when the judge came in to talk to us about what to expect from the day. He had to have made the same speech many, many times, yet it sounded sincere and not like a canned or memorized talk. He spoke briefly about the Constitution, and the right to have a trial with a jury of our peers, and that we might one day need that ourselves, so it was important that we give that opportunity to others.
It’s easy to laugh because we’ve heard a lot of this since we were kids at school, or we’ve seen it on television. What made this different was, in part, the setting. We were in a room that could be used as a large courtroom, though it was being used as a jury selection room. The other thing that brought a certain gravitas to the proceedings was that the people in charge took it seriously, and yet seemed to enjoy what they were doing.
There was one prospective juror I noticed early in the day, who met my eyes with a scowl on his face. I wasn’t sure if he was just mad about being there, or if I had somehow annoyed him from across the room. He, like me, was in the “non-empaneled” jurors (the ones who didn’t get picked). While we were listening to how we would get paid ($9.00 + mileage) he sat upright with his arms folded tight to his chest and the same scowl on his face. Of course, I’ll never know if he was really angry or just uncomfortable or unhappy about something completely unrelated to jury duty.

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The City-County Building on Grant Street in Pittsburgh, where jury selection takes place - the statue of the man on the steps is the late mayor, Dick Caligiuri
Why do I write about this? Because for a brief time, my life stopped and took a detour. It could have been for one day, one week, or even one month. I found myself last night packing a bag with books and munchies to take with me, trying to anticipate anything I might need or want, without taking way too much.

I knew I had little to no control over what would happen. Even if I said I couldn’t do a trial that lasted more than a week because I run a business on my own (which was the longest time I figured I could manage without a problem), they could have said too bad, you’re serving.

As I look back on the day, my primary emotion/sensation was curiosity. I was genuinely interested in how the day was going to play out and was open to whatever happened. In the end, you could say it was uneventful, and that would be true. At the same time, it was a glimpse into another world, the road not taken (I went to law school but never practiced). And it was a day pulled out of my own world, yanked out of my comfortable space and thrust into a room with 150 strangers. Who knows what tomorrow will bring?

Take care,

Doc

Remembering bulletin boards...

2/26/2018

 
My family moved into the house I’m living in now a little more than 50 years ago. My mother died six years ago, and my brother and sister and their families are all over the place. I’ve been back and forth across the country several times over a number of years, and returned to live here with my dad.

Way back when we first moved in, my sister and I shared the room I’m in now. I was going into sixth grade, she into seventh. In other words, we were pre-teens. I know that means something different to all of us, but at the same time, there is some common ground when we think of pre-teen. Young enough to be far from driving, old enough to be thinking about dating (not doing it, but thinking about it). And in my case, right at that perfect age for teen idol worship.
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Almost as if she knew, my mother bought each of us a bulletin board on which we could put whatever we wanted. Maybe she did know at that, since my mother was one of the screaming teenagers who went downtown to see a very young Frank Sinatra perform, wearing her trench coat and screaming, “Frankie!”


I remember little about what my sister did with hers; all I remember is it wasn’t like mine. Because I was the one with the subscription to 16 Magazine. I had access to pictures of all of my faves (as they liked to put it). So my bulletin board was filled with pictures of Bobby Sherman (Here Come the Brides), the Monkees, Mark Lindsay (of Paul Revere and the Raiders), and Michael Cole, Peggy Lipton, and Clarence Williams III of Mod Squad.

Every month a new issue would arrive, and I would plan my new bulletin board. It was laid on my bed and carefully arranged, trying this picture in one place, moving another over here. Sometimes everything had to fit within the confines of the board. Other times I’d let things hang down lower so I could fit in a really good centerfold picture.

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Bobby Sherman
Eventually I discovered Tiger Beat at the drugstore, and my world expanded. Their pictures were glossy on every pages, not just the covers. Between the two, I spent several years adorning my bulletin, celebrating the ritual of the changing of the pictures. The time came when the subscription to 16 wasn’t renewed – I wanted something else for my birthday. The bulletin board had big gouges in the cork, and one week when my sister and I were away, my mother redecorated our room and when we returned, the bulletin boards were gone.
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Mark Lindsay
Looking back, I realize that my bulletin board was one of the few things I controlled, one of the few ways I had to express myself. There was one month I made a daring decision – I would focus the entire bulletin board on one person only. It was no contest – it had to be Mark Lindsay of Paul Revere and the Raiders. I got very creative and used some fluorescent pink wrapping paper as an accent because the primary picture was this color photo that was mostly black and white anyway.

Why do I choose to write about this today? Well, today I put up a new version of a bulletin board in that very same room, more than 50 years later. Actually, it’s three smaller bulletin boards in hexagonal shapes, and of course, the pictures and items on it are quite different. The one similarity is that, just as it was more than 50 years ago, it is an expression of who I am today – what matters to me, who matters to me, my priorities, my dreams, my memories. It isn’t complete yet, but when I finish posting this I will go to my printer and take the little copy of the Mark Lindsay picture and put it up on my new bulletin board. I will honor the person I was then, and the dreams of my youth. I still dream, though my dreams look a little different now…
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“We are such stuff as dreams are made on…”  
                                                William Shakespeare

Take care,
Doc


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(l to r) Michael Cole, Clarence Williams III, Peggy Lipton - The Mod Squad

A thousand words...

2/19/2018

 
This week I thought I'd do something a little different. I'm going to share some pictures from the last few years and write a little something about each one.  These will all be pictures I've taken myself.
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To the right is a closer look at a school of fish, this one in the Open Sea exhibit.
This picture on the left is from the kelp forest at the Monterey Bay Aquarium. I was mesmerized by the school of fish swimming together in the lower part of the picture, and the way the starfish seems to stretch out each of its arms to embrace the water. I would move from one panel to another to see different perspectives. There are two stories - this picture is from the first floor. The fish in the top right may be one of the tiger sharks, which swim right up to the glass.
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Sunset at Asilomar Beach. No matter how many times I walked the paths at Asilomar, the landscape, the water, the light had changed. It was never the same two days in a row.
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The footprints in the sand on the left are those of a mountain lion. I took this on my first visit to Asilomar, walking along the boardwalk that winds through the dunes. There are signs posted throughout the property reminding guests that mountain lions do come on the grounds, generally hunting the deer that populate the area.

It's hard to tell from this picture how large those footprints are - I'm an adult, and they are approximately the size of my fist. Not tiny...

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As you can see, another sunset, another view from the path at Asilomar.

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The sun is  trying to break through the mist at Asilomar. Beyond that mist is Pebble Beach, where the Pro-Am golf tournament is underway. The wild winter ocean is raging, and you can almost taste the salt in the air.
Picture
Picture
Can you see the double rainbow on the left picture? It's harder to see on the left (same rainbow). I was driving home from work when I saw this, and had to stop and take a picture. At Asilomar, of course.

Hope you've enjoyed this little tour of Asilomar and the Aquarium. Enjoy the rest of the Olympics!

Take care,

Doc

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    Carol (Doc) Dougherty

    An avid reader, writer, and student, with a penchant for horse racing, Shakespeare, and the Pittsburgh Steelers.

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